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Re-Sound Beethoven Volume 6: Symphony No. 8
Gottlieb Wallisch (piano)
Orchester Wiener Akademie, Martin Haselböck
The Allegretto scherzando [of the Eighth] is delectably light…and Haselbock finds surprising sweetness beneath its mechanical surface. I like, too, how he relishes the playful rhythmic punctuation... —
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Resound Beethoven: Volume 7
Symphony No. 4 & Piano Concerto No. 4
Gottlieb Wallisch (piano)
Orchester Wiener Akademie, Martin Haselböck
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at her best, she is an admirably expressive player. Savour the expansive delicacy and good taste of her interpretation of the two works by Royer, which hold up well against any recording in... —
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Les Déesses Outragées (The Offended Goddesses)
French Cantatas
Agnès Mellon (soprano/artistic director)
Ensemble Barcarole
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Pashchenko has an exceptional way with Beethoven. She imbues both little Op. 49 sonatas with a disarming simplicity that can only be borne out of sophistication…[and] her outstanding rendition... —
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Fauré: Piano Quartets Volume 2
Eric Le Sage (piano), François Salque (cello), Lise Berthaud (viola) & Daishin Kashimoto (violin)
These players get to the heart of Faure's sublime Piano Quartets. They offer fresh perspectives and a compelling balance of nuance with broader lines. —
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there’s joy to be had when the tunes, and Braunstein’s sweet tone, are allowed to speak for themselves. Plus, he’s a magnificent advocate for the Delius. —
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While several one-to-a-part readings can bring a chamber-like intimacy, you get the best of all worlds here: red-blooded warmth, intense coloration, grandeur and crackling vigour and not a scintilla... —
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Les Grandes Eaux
Le Poème Harmonique, Capriccio Stravagante Orchestra, Les Enfants d'Apollon, Les Nouveaux Caractères, Les Temps Présents, Ensemble Pygmalion, Le Concert Sprituel
