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This new Book 2 reveals a seasoned, thoughtful Bach player of keen intelligence. Pilsan’s readings are straightforward and unaffected, speaking with a purity of inspiration and a clarity that... —
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Vincent Dumestre's ensemble have produced a vivacious and highly characterised account...[Il combattimento is] given here in a highly rhetorical reading which involves a great deal of improvised... —
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Purcell: Songs & Dances
Tim Mead (countertenor)
Les Musiciens de Saint-Julien, François Lazarevitch (flute/director)
Mead began as a choral scholar in England and is known for his clear diction and vocal poise, while Lazarevitch studied in Paris and Brussels, and has an eclectic approach to instrumental performance,... —
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To close this most enjoyable disc, Calderini plays Poulenc’s Flute Sonata wonderfully, alive to its quicksilver changes of mood from droll wit and Gallic insouciance to its wistful introspection. —
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Lord Gallaway’s Delight
An Excellent Collection of Dances & Gaelic Laments
Siobhán Armstrong (Irish harp)
Les Witches
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Re-Sound Beethoven Volume 6: Symphony No. 8
Gottlieb Wallisch (piano)
Orchester Wiener Akademie, Martin Haselböck
The Allegretto scherzando [of the Eighth] is delectably light…and Haselbock finds surprising sweetness beneath its mechanical surface. I like, too, how he relishes the playful rhythmic punctuation... —
