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Amore Siciliano
Mariana Flores (soloist), Matteo Bellotto (soloist), Léo Fernique (soloist), Valerio Contaldo (soloist), Ana Vieira Leite (soloist), Cappella Mediterranea, Leonardo García Alarcón
There’s a fabulously frantic air to the sequence of the opening movements, and in general this is the approach to the playing throughout: totally gung-ho, extreme and unexpected. —
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Special offer. Purcell: Dido and Aeneas
Simone Kermes (Dido), Dimitris Tiliakos (Aeneas), Deborah York (Belinda), Oleg Ryabets (Sorceress), Margarita Mezentseva, Sofia Fomina, Yana Mamonova, Elena Kondratova, Valeria Safonova & Alexandre Zverev
New Siberian Singers (chamber choir of the Novosibirsk State Academic Opera &...
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here’s another fine recording. Filippo Gorini’s has lovely poise throughout, sometimes as though with bated breath, other times with driving propulsion, and occasionally exploding with pure... —
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Cellist Pauline Buet and viola player Léa Hennino find beauty in the collision between hard and soft articulation... I Giardini revels in the abrasive melodies, which bear the hallmarks of Shaw’s... —
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Banchini achieves performances which are polished, clearly argued and meticulously prepared. A rewarding disc… —
![Dowland: [Complete] Lachrimæ](https://d1iiivw74516uk.cloudfront.net/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTQ2NDMwOC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6MzAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXAiOjE2NzgzNjM2Mjl9)
