Helios
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Lane certainly knows how to tease out the music’s textural subtleties; his emotional commitment is undeniable, as is his grasp of the poetic/virtuosic dichotomy inherent in Scriabin’s music —
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Special offer. The Spirits of England and France
Music for Court and Church from the later Middle Ages
Gothic Voices, Christopher Page
Unalloyed pleasure ... once again a superb recording that stimulates, that charms —
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Special offer. Virgil Thomson - Louisiana Story and other film music
The New London Orchestra, Ronald Corp
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Special offer. Songs of Scotland
Marie McLaughlin (soprano), Malcolm Martineau (piano), Isobel Frayling-Cork (harp)
Marie McLaughlin's gleaming yet often dark-hued soprano takes to this music as to the bothy born; and Edinburgh-born Malcolm Martineau heels and toes it with great imaginative finesse, tuning... —
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Special offer. Land of Heart's Desire
Songs of the Hebrides from the collection by Marjory Kennedy-Fraser
Lisa Milne (soprano), Sioned Williams (harp)
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Special offer. Lambert: Summer’s Last Will and Testament
Sally Burgess (mezzo-soprano) & William Shimell (baritone)
English Northern Philharmonia, David Lloyd-Jones
Nothing short of a triumph. With the bittersweet Aubade héroïque as makeweight, no disc makes a better case for Lambert’s importance —
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This is quite glorious … one senses right from the opening of Bruckner’s Quintet—surely one of the finest quintets ever written, for any combination— an intensity that matches its ambitious... —
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Special offer. F. Couperin: Leçons de Ténèbres
James Bowman (countertenor), Michael Chance (countertenor), Mark Caudle (viola da gamba) & Robert King (organ)
An exultant motet and two canticles are memorably sung. Two solo Lecons are harder to sustain; the third, a duet, is most arresting. Caudle and King's responsive accompaniments is exemplary. —
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