Harmonia Mundi
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Herreweghe's account of [the Rhenish] is everything a period-instrument Schumann performance should be - full of muscular, energetic playing, with every fleck of colour in the orchestration... —
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Debussy Impressioniste
Jean-Guihen Qyeyras (soloist), Alexandre Tharaud (soloist), Jean-Guihen Queyras, Cédric Tiberghien (soloist), Philippe Bernold (soloist), Gerard Causse (soloist), Isabelle Moretti (soloist), Alain Planès (soloist), Claude Helffer (soloist), Haakon Austbö, Håkon Austbø (soloist), Arcanto Quartett...
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Boccherini: La musica notturna delle strade di Madrid
with Eckart Runge (2nd cello), Carles Trepat (guitar) & Daniel Tummer (castanets)
Cuarteto Casals
The performances certainly capture the languid southern sensuality of this music; the Cuarteto Casals are not afraid of modern-style vibrato, yet still keep the atmosphere light as a warm breeze. —
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This medieval drama is brought vividly to life by the early music group —
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Purcell: Dido and Aeneas
Lorraine Hunt Lieberson (Dido), Lisa Saffer (Belinda), Paul Elliott (Aeneas/Sailor), Donna Deam (Second Woman), Ellen Rabiner (Sorceress), Christine Brandes (First Witch/Spirit), Ruth Rainero (Second Witch)
Choir of Clare College Cambridge & Philharmonia Baroque Orchestra, Nicholas McGegan
Aural luxuriance...A reading I shall treasure. —
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Tavener: Eternity's Sunrise
Andrew Manze (violin), Patricia Rozario & Julia Gooding (sopranos), George Mosley (baritone)
The Academy of Ancient Music, Paul Goodwin
profoundly moving … if you have no Tavener in your collection, this could be the one. —
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Purcell: Funeral Sentences, Te Deum, Anthems
Susan Hamilton, Siri Thornhill (soprano), Robin Blaze, Martin van der Zeijst (countertenor), Mark Padmore (tenor), Jonathan Arnold, Jonathan Brown, Peter Harvey (bass)
Collegium Vocale Choir & Orchestra, Philippe Herreweghe
The sheer vitality-and the range of colour and character that Philippe Hereweghe and his musicians draw out of this music- makes these performances irresistible … beautifully sung and played. —
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