Harmonia Mundi
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As the first concerto unfolds, the sense of period style and panache strike one as absolutely triumphantly right —
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Bach, J S: Köthener Trauermusik, BWV244a
Sabine Devielhe, Damien Guillon, Thomas Hobbs, Christian Immler
Pygmalion, Raphaël Pichon
The choral sound is refreshing; the instrumental performance attractive...Pichon is unlikely to have the last word on the Trauermusik mystery but it's a fine recording nonetheless. —
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Graham Ross judges the spacious juxtapositions of movement and silence exquisitely, the Dmitri Ensemble’s explosion of energy in the third interlude being simultaneously surprising yet entirely... —
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…the Serenata of 1823… throws the spotlight in turn on violin, oboe, flute, cor anglias and cello. Like all the music here, and especially the sonatas, it's played with a real sense of enjoyment,... —
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…Hillier and the choir have fashioned an attractive, highly approachable and expertly performed programme which begins with the even-handedness of Sisask and ends with the quixotic animation... —
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