Harmonia Mundi
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By offering us a single CD of just six of these Op 1 Concerti grossi, published in 1721 when Locatelli was in his mid-twenties, Freiburg Baroque Orchestra allow us to imagine that they have... —
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Monteverdi - Scherzi musicali
María Cristina Kiehr (soprano), Stephan MacLeod (bass-baritone)
Concerto Soave, Jean-Marc Aymes (claviorganum Philippe Humeau & direction)
Spanning nearly half a century of musical 'jests', Concerto Soave is fresh, light and sparkling as a glass of Prosecco. Quel sguardo sdegnosetto almost self-combusts with pure joy. Irresistable. —
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Les Travaillers de la Mer
Ancient songs from a small island - songs from the Channel Islands
Andrew Lawrence-King (harps, psaltery, chifournie), Clara Sanabras (soprano), Paul Hillier (baritone)
The Harp Consort
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The strikingly modern Fantasias anchor O'Dette's imaginatively planned programme… There is an enticing fluency to O'Dette's playing throughout. Neusidler needed a champion; with O'Dette he's... —
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Tchaikovsky: Symphony No. 6 in B minor, Op. 74 'Pathétique', etc.
Royal Philharmonic Orchestra, Daniele Gatti
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Mozart: Mass in C minor, K427 'Great', etc.
Christiane Oelze, Jennifer Larmore Scot Weir & Peter Kooy
Orchestre des Champs-Élysées & Collegium Vocale, Philippe Herreweghe
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Emmanuelle Bertrand and pianist Pascal Amoyel have an exquisitely sensitive partnership, at its best in passages of lingering lyricism. —
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Weill: Die sieben Todsünden & Chansons
Brigitte Fassbaender (mezzo)
Radio-Philharmonie Hannover des NDR, Cord Garben
Kurt Weill composed La complainte de la Seine in 1934, while he was living in France. It was first sung and recorded by Lys Gauty. In the introduction to the first verse, Weill weaves in a quote... —
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