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Showing 441 - 450 of 509 results
Showing 441 - 450 of 509 results
  • Metra from 11th-century Canterbury

    Sequentia

    The fifth-century Roman philosopher’s reflections on life were set to simple music by medieval musicians. Sequentia brings the melodies to life with beautiful counterpoint.BBC Music Magazine, October 2018, 4 out of 5 starsMore…

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  • Emilio Moreno (violin) & Aarón Zapico (harpsichord)

    Moreno on his 1761 Gagliano is sunny of outlook and sweetly austere of playing style, articulation subtly detached, with vibrato switching between light and none. Zapico, meanwhile, is eloquent...Gramophone Magazine, June 2018More…

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  • Christian Senn (bass-baritone)

    laBarocca, Ruben Jais

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  • Eric Hoeprich (clarinet)

    London Haydn Quartet (playing on historical instruments)



    Three-quarters of the gut-string London Haydn Quartet warm their sound with the merest hints of vibrato … entirely enjoyable
    Gramophone Magazine, September 2017More…

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  • Madrigals by Cipriano de Rore

    Graindelavoix, Björn Schmelzer

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  • Arie musicali Firenze, 1630

    Damien Guillon (counter-tenor), André Henrich (lute), Céline Scheen (soprano), Thomas Hobbs (tenor), Kevin Manent-Navratil (harpsichord), Marie-Domitille Murez (harp), Benoît Arnould (bass), Julien Barre (cello), Benoît Arnould (baritone)

    Le Banquet Céleste

    The songs certainly display the feverish shifts between exhilaration and despair built into much baroque music. Frescobaldi’s contemporary Monteverdi admittedly writes more memorable tunes,...The Guardian, 9th February 2018, 4 out of 5 starsMore…

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  • A Versailles entertainment for Louis XIV, XV, XVI Works by Lully, Rameau, Gluck

    Chantal Santon-Jeffery (soprano), Emőke Baráth (soprano), Thomas Dolié (baritone)

    Purcell Choir, György Vashegyi

    Conducted expertly by György Vashegyi, the Budapest-based Purcell Choir and Orfeo Orchestra produce characterful panache, heroic swagger, balletic deftness and suave charm as each selection...Gramophone Magazine, February 2018More…

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  • La Venexiana, Claudio Cavina (direction)

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  • Dorothee Mields, Johannette Zomer (sopranos), Patrick van Goethem (alto), Jan Kobow (tenor) & Peter Kooij (bass)

    Cappella Amsterdam & Orchestra of the 18th Century, Frans Brüggen (direction)

    The 'Gloria' dances, 'Cum Sancto Spiritu' is equally lithe and the semiquavers in 'Et resurrexit' are fluent and exact...The Orchestra of the Age of Enlightenment is superb: its many virtues...Gramophone Magazine, July 2010More…

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  • Enrico Gatti (violin), Emilio Moreno (viola), Gaetano Nasillo (cello)

    La Real Cámara

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