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J. A. Hasse: La Contadina
Graciela Oddone (soprano) & Lorenzo Regazzo (bass-baritone)
Ensemble Arcadia, Attilio Cremonesi
This lively undertaking is buoyant and spirited, with Oddone and Regazzo in fluent voice … Oddone’s crystalline sound pours out with sparkle … They complement each other with their mutual exuberance... —
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Special offer. Mozart: Les Mystères d’Isis, Paris, 1801
adapted by Ludwig Wenzel Lachnith after Die Zauberflöte & other Mozart operas; French text by Étienne Morel de Chédeville
Chantal Santon-Jeffery (Pamina), Marie Lenormand (Mona), Renata Pokupić (Myrrène), Jean Teitgen (Zarastro), Tassis Christoyannis (Bochoris), Sébastien Droy (Isménor), Camille Poul (1ère Dame, 1ère Suivante), Jennifer Borghi (2e Dame, 2e Suivante), Élodie Méchain (3e Dame, 3e Suivante), Mathias Vidal...
Fasolis and his musicians give a fleetfooted performance, which is more than this mash-up probably received in its day, and most voices are well cast: Chantal Santon-Jeffery is a fresh-sounding... —
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Wa Mozart: Wind Concertos
Eric Hoeprich, Frank de Bruine, Teunis van der Zwart, Orchestra of the 18th Century, Frans Brüggen, Kenneth Montgomery
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On this album the breadth of approaches nurtured by the stylus phantasticus is most vividly encapsulated in the music of Nicola Matteis Sr. Tur Bonet’s stylish interpretations will surely inspire... —
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Gioseffo che interpreta i sogni (Oratorio Vienna 1726)
Consort Maghini, Coro Maghini, Alessandro De Marchi
The Sinfonia's contrapuntal subjects are delineated tautly by the band of strings and oboes...A couple of philosophising choruses, such as the closing comparison of Joseph to Christ offering... —
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Mozart: Italian Arias
Amadeus's Italian Journeys 1769-1791
Filippo Mineccia (countertenor), Orchestra Farnesiana
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Concerti per la Pietà
Fabio Biondi (violin, viola d'amore), Andrea Rognoni (violin), Alessandro Andriana (cello), Paola Poncet (organ), Giangiacomo Pinardi (lute), Europa Galante
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Celestial & Wordly Love From the Two Maries
Jose Maria Lo Monaco (mezzo-soprano), Divino Sospiro, Massimo Mazzeo
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Francesco Gasparini: Alto Arias
Filippo Mineccia (counter-tenor), Orchestra Nazionale Barocca Dei Conservatori Itali, Paolo Perrone
To add to the intrinsic beauty of the voice, especially in mid register, is a fine, agile technique and above all an innate response to the drama of text...Not the least impressive aspect of... —
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