Glossa
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Bach, J S: The Art of Fugue, BWV1080
Fabio Bonizzoni (harpsichord I) & Mariko Uchimura (harpsichord II)
Like his compatriot Sergio Vartolo, Bonizzoni is fond of agogic stresses, tempo fluctuations and elaborate ornaments, yet projects these traits in less fussy and more organically fluid interpretations...In... —
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The Cello in Spain
Boccherini and other 18th-century virtuosi
Josetxu Obregón (cello and direction)
La Ritirata
Obregón is a musician of the curious kind who likes to explore new ground. This disc is of great importance as it is the first attempt to document a part of music history which is still largely... —
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Marais, M: Le Labyrinthe
Paolo Pandolfo (viola da gamba), Thomas Boysen (theorbo), Mitzi Meyerson (harpsichord), Juan Carlos de Mulder (baroque guitar), Alba Fresno (viola da gamba), Pedro Estevan (percussion)
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Special offer. Mozart: Les Mystères d’Isis, Paris, 1801
adapted by Ludwig Wenzel Lachnith after Die Zauberflöte & other Mozart operas; French text by Étienne Morel de Chédeville
Chantal Santon-Jeffery (Pamina), Marie Lenormand (Mona), Renata Pokupić (Myrrène), Jean Teitgen (Zarastro), Tassis Christoyannis (Bochoris), Sébastien Droy (Isménor), Camille Poul (1ère Dame, 1ère Suivante), Jennifer Borghi (2e Dame, 2e Suivante), Élodie Méchain (3e Dame, 3e Suivante), Mathias Vidal...
Fasolis and his musicians give a fleetfooted performance, which is more than this mash-up probably received in its day, and most voices are well cast: Chantal Santon-Jeffery is a fresh-sounding... —
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Marais 1689: Pièces à une et à deux violes
Paolo Pandolfo (viola da gamba), Amélie Chemin (viola da gamba), Thomas Boysen (theorbo/Baroque guitar) & Markus Hünninger (harpsichord)
Few gambists are better versed in this repertoire than Paolo Pandolfo, whose playing is supple, poetic, effortless…[he] and fellow gambist Amélie Chemin dialogue and vie delightfully in the... —
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Avondano: La Morte d'Abel
Raquel Camarinha, Filippo Mineccia, Ana Vieira Leite (soprano), Valentina Varriale, Sergio Foresti, Divino Sospiro, Massimo Mazzeo
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Wa Mozart: Wind Concertos
Eric Hoeprich, Frank de Bruine, Teunis van der Zwart, Orchestra of the 18th Century, Frans Brüggen, Kenneth Montgomery
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Francesco Gasparini: Alto Arias
Filippo Mineccia (counter-tenor), Orchestra Nazionale Barocca Dei Conservatori Itali, Paolo Perrone
To add to the intrinsic beauty of the voice, especially in mid register, is a fine, agile technique and above all an innate response to the drama of text...Not the least impressive aspect of... —
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Handel: Aci Galatea E Polifemo
Raffaele Pe (counter-tenor), Giuseppina Bridelli, Andrea Mastroni, La Lira Di Orfeo
Notwithstanding flaws in conception, this is an intriguing opportunity to hear some of Handel’s 1730s alternative numbers recorded for the first time. —
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