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Glossa

Showing 271 - 280 of 509 results
Showing 271 - 280 of 509 results
  • Recorded in the Église de Notre Dame du Liban, Paris, Feb. 2010

    Frédéric Bétous, Didier Bouture, Eric de Fontenay, Yann Rolland (hautes-contre), Gauthier Fenoy, Edmond Hurtrait (hautes-taille), Nicolas Maire, Pascal Richardin (tailles), Justin Bonnet, David Witczak (basses-taille) & Paul-Henry Vila, Frédéric Albou (basses-contre)

    Le Concert Spirituel,...

    What lends the performance some interest is Niquet's reconstruction of a 17th-century service...Brossard's Stabat Mater, as conventional as Bouteiller's Requiem, is redeemed by a vigorous final...Gramophone Magazine, February 2011More…

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  • Recorded in Mondovì (Sala Ghisleri), Italy, in November 2009

    Roberta Mameli (soprano). Also featuring Emanuele Cisi (soprano and tenor saxophones), Fausto Beccalossi (accordion), Alberto Lo Gatto (double bass) & Donato Stolfi (drums)

    La Venexiana, Claudio Cavina

    The effect is strangely touching...Throughout, Roberta Mameli and saxophonist Emanuele Cisi are superb.Gramophone Magazine, December 2010More…

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  • Cristina Miatello (soprano) & Gian Paolo Fagotto (tenor)

    Ensemble Aurora, Enrico Gatti (direction)

    The musical writing is contained, even austere, as if Scarlatti wanted to find purity of expressive yield through the plainest of means. In other words, this is a setting in which the music...Irish Times, 22nd April 2011, 3 out of 5 starsMore…

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    2 CDs

    $36.50

    This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

    This release includes a digital booklet

  • Recorded Chiesa di San Carlo, Modena (Italy), in February 2008

    Emanuela Galli (soprano)

    La Venexiana, Claudio Cavina

    …Emanuela Galli… brings panache and rhythmic flexibility to 'Quel sguardo', and plaintiveness to 'Si dolc'è il tormento' - helped by the jazzy languidity of Doron Sherwin's cornett playing....BBC Music Magazine, October 2009, 4 out of 5 starsMore…

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  • premiered by Francesca Cuzzoni & Anna Maria Strada del Pò

    Roberta Invernizzi (soprano) & Fabio Ciofini (harpsichord & direction)

    Accademia Hermans

    Invernizzi is often in top voice here. Her coloratura is electrifying; one can’t imagine a more commanding Berenice in ‘Scoglio d’immota fronta’. She handles pathos exquisitely, as in Alcina’s...BBC Music Magazine, May 2017, 4 out of 5 starsMore…

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  • Björn Schmelzer

    Above all one is drawn to the ensemble’s tone, uncommonly deep, rich, absorbing in itself, and departing significantly from the treble-dominated spectrum that is so prevalent with English-speaking...Gramophone Magazine, November 2018More…

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  • Wilbert Hazelzet (traverso), Jaap ter Linden (cello), Konrad Junghänel (lute) & Jacques Ogg (harpsichord)

    Hazelzet dips into the treasure trove of Telemann’s chamber music providing a conspectus of his inventive legacy. Various instrumental configurations appear alongside two of the celebrated Fantasias...BBC Music Magazine, October 2016, 4 out of 5 starsMore…

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  • Music for music for basset horn trio

    Stadler Trio

    delightful...Mozart steals the show, but there are enjoyable pieces by Salieri, Stadler, Druschetzky and Martin y Soler (from his opera Una cosa rara); and a divertimento by Nudera rounds it...Sunday Times, 21st August 2016More…

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  • Graindelavoix, Björn Schmelzer

    the singing and playing is generally convincing and the performers are clearly well acquainted with this quirky repertoire.Early Music Review, December 2014More…

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  • Villard de Honnecourt: Métier, memories and travels of a 13th-century cathedral builder, vol. 2

    Graindelavoix, Björn Schmelzer

    I’ve anticipated this disc since being blown away by Volume 1 in 2012. Mesmerising immediacy and earthiness, worth the wait.BBC Music Magazine, Christmas Issue 2013More…

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