Glossa
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A Souvenir from London
Francesca Cassinari, Andrea Friggi, Chiara Granata, Agnieszka Oszańca, Giulia Gillio Gianetta, Stile Galante
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The solemnly twisting contrapuntal strings in the Sinfonia are played with both passion and refinement – characteristics that pervade much of this performance. Emanuela Galli’s quicksilver shaping... —
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Nebra: Donde Hay Violencia, No Hay Culpa
Alicia Amo (Lucrecia), Natalie Perez (Colatino), Giulia Semenzato (Tulia), Judit Subirana (Laureta), Los Elementos, Alberto Miguelez Rouco
Los Elementos and the conductor Alberto Miguélez Rouco have unearthed something special from the Spanish archives...The result is stirring music theatre, brilliantly served. —
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Dolce Vita - French and Italian Songs & Chansons (1932-1956)
Marco Angioloni, Ensemble Contraste (chamber ensemble), Ambroisine Bré (mezzo-soprano), Karine Deshayes (mezzo-soprano), Juan-Carlos Echeverry, Charlotte Planchou
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Hervé Niquet celebrated the 15th anniversary of his group Le Concert Spirituel by assembling a hundred musicians at the Arsenal de Metz to produce what is claimed as 'the first historical recording'... —
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Book 7 (1619) gathers together works that must have been written many years apart. The common denominator is its consistent use of instruments in conjunction with the voices. Recording the complete... —
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Couperin, F: Pièces de clavecin IV: Ordre 25ème in E flat major: Les ombres errantes
Mitzi Meyerson (harpsichord)
Meyerson does indeed find her own way in each of the 25 pieces, delivering interpretations that are decisive, strong-minded and unafraid to play for effect. Phrasing and rhetoric are emphasised... —
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Trois Sœurs (Three Sisters)
Songs from 13th-century France
Stevie Wishart (vocals, symphony (hurdy-gurdy) & medieval fiddle), Vivien Ellis (vocals) & Jocelyn West (vocals)
Sinfonye
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Claros Y Frescos Rios
Spanish Renaissance songs & instrumentals
Nuria Rial (soprano) & José Miguel Moreno (vihuelas)
Rial's voice is admirably clear and focused. and her interpretations avoid the more mannered tendencies of those of either Almajano or the doyenne of Spanish early music sopranos Montserrat... —
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