Glossa
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Ensemble Aurora gives a fine performance of the works, stylistically appropriate, with some typical Corellian ornamentation at suitable places, and all thoroughly enjoyable —
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The Passion of Reason
Five centuries of ‘scientific’ music
Sour Cream: Frans Brüggen (recorders), Kees Boeke (recorders & viola da gamba), Walter van Hauwe (recorders), with Isabel Álvarez (voice) & Toyohiko Satoh (lutes)
This is both a stimulating and thought-provoking excursion undertaken by accomplished musicians —
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Metamorphosis: Greek musical traditions across the centuries
Hristos Tsiamulis (voice, lyra, uti, ney, tamburica, kaval), Dimitris Psonis (santoor, tar, daf), Pedro Estevan (percussion)
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Just how fine are the singers on this recording can be gauged from the last track… Cantica Symphonia's performance of his final setting of Ave regina celorum is extraordinarily moving, the... —
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Las idas y las vueltas
Spanish Baroque meets flamenco
Fahmi Alqhai (viola da gamba & direction), Arcángel (cantaor), Mariví Blasco (soprano) & Miguel Ángel Cortés (flamenco guitar)
Accademia del Piacere
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Gaetano Veneziano: Passio
Raffaele Pe (Evangelista), Luca Cervoni (Christus) & Marco Bussi (Pilatus)
Ghislieri Choir & Cappella Neapolitana, Antonio Florio
Raffaele Pe…carries the drama well right from the evocative opening narration … the Ghislieri Choir makes the most of its few interjections… Cappella Neapolitana and conductor Antonio Florio... —
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[Torbianelli] plays late Chopin works on a grand piano by Ignace Pleyel of 1842. Immediately apparent is the instrument’s reduced dynamic spectrum…Naturally the sophisticated properties of the... —
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Neapolitan Concertos for Various Instruments
Josetxu Obregón (cello), Tamar Lalo (recorder), Daniel Oyarzabal (harpsichord), Ignacio Prego (harpsichord), Hiro Kurosaki (violin)
La ritirata
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Alessandro Scarlatti: Quella pace gradita
The Recorder & Violin Cantatas
Giuseppina Bridelli (mezzo-soprano), Alicia Amo (soprano), Filippo Mineccia (counter-tenor)
Josetxu Obregón
The performances are excellent, though the disc is hampered by the decision to insert longish pauses between sinfonias, recitatives and arias that impedes each cantata’s dramatic flow. Obregon... —
