Glossa
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Ensemble Aurora gives a fine performance of the works, stylistically appropriate, with some typical Corellian ornamentation at suitable places, and all thoroughly enjoyable —
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this is doubtless a good-value way to explore the ensemble’s work and some otherwise unavailable though interesting repertoire —
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Jones, Richard: Chamber Airs for a Violin (and Thorough Bass)
Kreeta-Maria Kentala (violin), Lauri Pulakka (cello) & Mitzi Meyerson (harpsichord)
Jones could hardly hope for more devoted advocates than Meyerson and her Finnish colleagues, the three instrumentalists accenting the music's theatrical qualities, variegated colours and special... —
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Stella Del Nostro Mar
Past and present reflections of the Marian inspiration
Cantica Symphonia, Giuseppe Maletto
The vocal quartet's tone is gentle and not overly assertive… at its best the results are very satisfying. Isaac's setting of the popular Alma redemptoris chant is glowingly done, and incidentally... —
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The performance [of Stravinsky's Octet] here is beautifully executed with a delightful and exuberant finale. —
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L’Amor de Lonh
Medieval songs of love and loss
Ensemble Gilles Binchois: Anne-Marie Lablaude (soprano), Cyprianos Sadek (baritone), Baptiste Romain (viol & cornamuse), Keyvan Chemirani (zarb & daf ) & Dominique Vellard (tenor & oud, direction)
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…such satisfying tone, and remarkably few intonation issues for a recording on period instruments. —
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Lully - Ballets & récits italiens
Recorded at Chiesa di Santa Maria Annunciata, Brunello, Varese (Italy), October 2008
Emanuela Galli, Yetzabel Arias Fernández, Stefanie True (sopranos) & Fabio Bonizzoni (harpsichord & direction)
La Risonanza
Lully didn’t compose Italian operas but he did make settings of Italian words: this enjoyable disc includes some of them, along with instrumental pieces and a couple of French airs. —
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.. The beautifully balanced, positively projected 11 voices of Graindelavoix lavish on the Franco-Flemish Champion’s Missa de Sancta Maria Magdalena — an ingenious and rich-textured commentary... —
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