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Andre Campra: Le Carnaval de Venise
Luigi De Donato, Blandine Staskiewicz, Mathias Vidal (tenor), Marina de Liso, Salome Haller, Alain Buet, Andrew Foster-Williams (bass-baritone), Sarah Tynan (soprano), Le Concert Spirituel, Les Chantres du Centre de Musique baroque de Versailles, Hervé Niquet
overall the set is exceptional for the joyous verve and style Niquet brings to this entrancing comédie lyrique. —
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De Vitae Fugacitate
Laments, cantatas and arias in 17th-century Germany
Claudio Cavina (countertenor)
Concerto delle Viole, Roberto Gini
…Claudio Cavina's plangent countertenor is a fine match for the mournful sound of the viols… —
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Giovanni Zamboni: Sonate d'intavolatura di leuti, Lucca 1718
Sonatas 1-4, 6, 7, 9
Luciano Contini (archlute)
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Mozart - The Last Concerto 1791
Eric Hoeprich ('original' basset clarinet, basset horn), Joyce DiDonato (mezzo-soprano)
Orchestra of the Eighteenth Century, Frans Bruggen
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I can hardly wait for the next Desmarest recording, but in the meantime this one will certainly be keeping me happy —
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Bach knew a good thing when he heard it and Georg Böhm was one. Based in Luneburg (where Bach was, to all intents and purposes, a sixth-former at St Michael's School), Böhm had mastered the... —
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J S Bach - De Occulta Philosophia
José Miguel Moreno (baroque lute), Emma Kirkby (soprano), Carlos Mena (countertenor)
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