Glossa
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Boccherini's eight Quintets for guitar and string quartet are a delight. One of them, included here, features the celebrated Fandango in an infectiously spirited performance. —
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Occhi Turchini - Songs from Calabria
Pino de Vittorio (voice, chitarra battente & percussion) & Franco Pavan (theorbo, chitarra battente & direction)
Laboratorio '600
Franco Pavan’s recent forays into the exciting world of folk/early music with Laboratorio ’600 are stylish and exciting. His combination of poignant programming with crisp, exacting performances... —
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The Bach Album: Fahmi Alqhai
Works by Johann Sebastian Bach transcribed for the viola da gamba by F. Alqhai
Fahmi Alqhai (viola da gamba)
Well served by a close, reverberant recording, Alqhai marries a reedy, warmly penetrating tone with finely etched dynamics. His articulations, accentuations and phrasing grow naturally out of... —
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Handel: Catone
Sonia Prina (Catone), Lucia Cirillo (Marzia), Riccardo Novaro (Cesare), Kristina Hammerström (Arbace), Roberta Invernizzi (Emilia)
Auser Musici, Carlo Ipata
There is a fine orchestral sound and the singers are generally of a high standard...What is certain is that this particular pastiche, and probably others which Handel confected for his London... —
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Porpora: l’amato nome
Cantatas Op. 1
Francesca Cassinari (soprano), Emanuela Galli (soprano), Giuseppina Bridelli (contralto), Marina De Liso (contralto); Stile Galante, Stefano Aresi
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This recording from Hungarian musicians under the direction of György Vashegyi is a fine achievement, and very welcome. The Purcell Choir is a small chamber choir with an attractive, bright... —
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Director and flautist Carlo Ipata puts the composer’s gifts on full display. The music is uniformly ravishing and, the cantata apart, all recorded for the first time. Soprano Roberta Invernizzi... —
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Among the highlights are character pieces by Christina’s ‘Prince of Music’, Bernardo Pasquini…Throughout, Galassi combines precision and flair with astute musicological insights, and the regal... —
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The instruments’ mellow sounds are absolutely lovely, every one of Schayegh and Schultsz’s tempos are spot on, and if I disagree with a few interpretative decisions, their expressive intentions... —
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