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Alia Vox

Showing 101 - 110 of 237 results
Showing 101 - 110 of 237 results
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  • Karoliina Kantelinen, Utopia Chamber Choir, Andrew Lawrence-King

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  • Folias Criollas

    Montserrat Figueras

    La Capella Reial de Catalunya, Hespèrion XXI & Tembembe Ensamble Continuo, Jordi Savall

    the performances have a dash and abandon that are genuinely convincing...The sense of occasion and spontaneity of a live recording is conveyed without artifice.Gramophone Magazine, Awards Issue 2010More…

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  • Instrumental music from ancient Christian, Jewish and Muslim Spain, medieval Italy and Morocco, Israel, Persian Afghanistan and the ancient Ottoman Empire.

    Driss El Maloumi (oud), Dimitris Psonis (santur, saz), Yair Dalal (oud), Pedro Estevan (darbouka, tambor, pandereta, riq-gunga), Khaled Arman (rubâb), Osman Arman (tulak flute) & Seiar Hashimi (tablas & zirbaghali)

    Jordi Savall (viola, rebab, lira, director)

    While some of the pieces could almost have emanated from the Celtic fringe, others speak from the deep heart of Islam. There are some wonderfully eloquent oud and santur solos, and much implied...BBC Music Magazine, August 2006, 4 out of 5 starsMore…

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    SACD

    $21.25

    8 available

    Usually despatched in 3 - 4 working days

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  • Elizabethan Consort Music

    Hespèrion XXI, Jordi Savall

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  • Jordi Savall (viola da gamba), Le Concert des Nations

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  • The Orchestra of the Sun King - Symphonies, Ouvertures et Airs à jouer

    Le Concert des Nations, Jordi Savall

    Le Concert des Nations offers here a compendium of Lully's music from the heyday of the court of Louis XIV (widely assumed to have been at Versailles, but in fact from before the move from Paris)....Gramophone Classical Music Guide, 2010More…

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  • Red Book of Montserrat

    Jordi Savall (rabec, rebab, viella & direcció)

    Hespèrion XXI & La Capella Reial de Catalunya

    The 10 numbers are punctuated by bells and interspersed with instrumental improvisations, so that as so often with Savall, it’s all undeniably atmospheric, but hard to separate what might be...The Guardian, 15th December 2016, 3 out of 5 starsMore…

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