Alia Vox
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El Nuevo Mundo
Folias Criollas
Montserrat Figueras
La Capella Reial de Catalunya, Hespèrion XXI & Tembembe Ensamble Continuo, Jordi Savall
the performances have a dash and abandon that are genuinely convincing...The sense of occasion and spontaneity of a live recording is conveyed without artifice. —
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Orient Occident (1000 - 1600)
Instrumental music from ancient Christian, Jewish and Muslim Spain, medieval Italy and Morocco, Israel, Persian Afghanistan and the ancient Ottoman Empire.
Driss El Maloumi (oud), Dimitris Psonis (santur, saz), Yair Dalal (oud), Pedro Estevan (darbouka, tambor, pandereta, riq-gunga), Khaled Arman (rubâb), Osman Arman (tulak flute) & Seiar Hashimi (tablas & zirbaghali)
Jordi Savall (viola, rebab, lira, director)
While some of the pieces could almost have emanated from the Celtic fringe, others speak from the deep heart of Islam. There are some wonderfully eloquent oud and santur solos, and much implied... —
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Lully: L’Orchestre du Roi Soleil
The Orchestra of the Sun King - Symphonies, Ouvertures et Airs à jouer
Le Concert des Nations, Jordi Savall
Le Concert des Nations offers here a compendium of Lully's music from the heyday of the court of Louis XIV (widely assumed to have been at Versailles, but in fact from before the move from Paris).... —
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Llibre Vermell de Montserrat
Red Book of Montserrat
Jordi Savall (rabec, rebab, viella & direcció)
Hespèrion XXI & La Capella Reial de Catalunya
The 10 numbers are punctuated by bells and interspersed with instrumental improvisations, so that as so often with Savall, it’s all undeniably atmospheric, but hard to separate what might be... —
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