Gimell
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Josquin des Prés: Missa mater Patris & Noel Bauldeweyn: Missa Da pacem
The Tallis Scholars, Peter Phillips
The Scholars take [the Missa Mater Patris] at an aptly reverential tread, capturing its introspective – at times hypnotic – qualities…The Scholars realise [the Bauldeweyn] with all the precision,... —
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Gramophone Magazine, November 2019, Editor's Choice
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Gramophone Magazine, December 2019, Critics' Choice
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This is glorious music. —
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Presto Recording of the Week, 21st October 2016
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Presto Recordings of the Year, Finalist 2016
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Not the Live 1994 Palestrina 400 concert in Rome, but the 1980 Merton College recording. Then as now, the chaste 'finish' of the Allegri is overshadowed by a compellingly contoured Missa Papae... —
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Presto Greatest Recordings of the 1980s
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Sheppard (c.1515-58) was certainly an ingenious and interesting composer as this revelatory recording amply demonstrates…[The Missa Cantate] is performed here with clarity, poise and excellent... —
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Presto Recordings of the Year, Finalist 2023
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the complex cross-rhythms in the Credo are adroitly handled. Although the performance is a semitone lower than modern pitch, movements such as the Gloria keep their brightness...You can hear... —
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Gramophone Awards, 2012, Finalist - Early Music
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For the 1985 quatercentenary of Tallis's death, Peter Phillips and The Tallis Scholars produced this version of Spem in alium; in many respects it's clearly the most successful ever recorded.... —
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Penguin Guide, Rosette
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Awards:
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Building a Library, October 2005, Highly Recommended
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Cornysh's music is a riot of abundant, often seemingly wild melody, constantly in search of wanton, abstract, dare-devil ideas. Take, for example, the extraordinary conclusion to the five-part... —
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Penguin Guide, Rosette
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This, the third volume of the survey by The Tallis Scholars of the music of the Tudor composer, Thomas Tallis, contains the well-known Lamentations, eight motets, and the extended motet Salve... —
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Stripping down the number of voices in Pärt has palpable benefits...Not that there's any sense of power missing: in the tutti of the Magnificat, the crescendos are ringing, and again one notes... —
Awards:
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Gramophone Magazine, March 2015, Editor's Choice
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Presto Recordings of the Year, Finalist 2015
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