ECM
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Victor Kissine: Between Two Waves
Andrius Zlabys (piano), Daniil Grishin (viola) & Giedre Dirvanauskaite (cello), Andrei Pushkarev (percussion) & Gidon Kremer (violin)
Kremerata Baltica, Roman Kofman
At the very least everything here is beautifully played and recorded, and anyone interested in the music of the post-Soviet diaspora will find much to ponder. —
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Kim Kashkashian - Neharót
Kim Kashkashian (viola), Robyn Schulkowsky (percussion) & Tigran Mansurian (piano)
Kuss Quartet, Boston Modern Orchestra Project & Münchener Kammerorchester, Gil Rose & Alexander Liebreich
…the pièce de résistance on this CS is Betty Olivero's powerful and densely-worked Neharót Neharót ('rivers, rivers', denoting, says the composer, women's tears). Scored for two string ensembles... —
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Atlas - An Opera In Three Parts
Meredith Monk (voice), Wilbur Pauley (voice), Randall Wong (voice), Cynthia Powell (keyboards), Steve Lockwood (keyboards), James F. Wilson (french horn), Thad Wheeler (percussion), Wayne Hankin (panpipes), kathleen carroll (viola), Darryl Kubian (violin), Susan Iadone (violin), Anthony Pirollo (cello),...
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Filia Sion: Vox Clamantis & Jean-Eik Tulve
Vox Clamantis, Jaan-Eik Tulve (artistic director and conductor)
This is a captivating sequence of plainsong and early polyphony, justified by the common link of the Judaic notion of the Israelites as daughters of Zion. The Estonian vocal group Vox Clamantis,... —
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Mozart: Piano Concertos Nos. 17 and 20
Keith Jarrett (piano)
Stuttgart Chamber Orchestra, Dennis Russell Davies
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György Kurtág jr., László Hortobágyi & Miklós Lengyelfi - Kurtágonals
György Kurtág Jr. (synthesizers), László Hortobágyi (synthesizers & computers) & Miklós Lengyelfi (bass, effects)
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Boris Yoffe: Song of Songs
Rosamunde Quartet: Andreas Reiner, Diane Pascal (violin), Helmut Nicolai (viola), Anja Lechner (cello) & The Hilliard Ensemble: David James (countertenor), Rogers Covey-Crump, Steven Harrold (tenor), Gordon Jones (baritone)
A friend of mine told me that this was a perfect ECM disc. It certainly ticks all the boxes, from the exquisite, monochrome sleeve art to Manfred Eicher’s typically sensitive production. And... —
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