Dynamic

for technical poise and interpretative insight, heard in warmly immediate sound, Roma is a natural in this music. — Gramophone Magazine, July 2023More…

Voulgaridou has the full measure of Santuzza’s musical and dramatic challenges. The voice has depth and beauty, but also a cutting edge that makes a telling impact in the moments when Santuzza... — Fanfare, January/February 2020More…

Cavallo plays more or less cleanly, with light vibrato and a pleasant tone; but I felt that his performances could have been a bit more daring, more characterful – in a word, more operatic. — Gramophone Magazine, Awards Issue 2017More…

For singers alert to words and verse forms, Vinci’s approach is catnip; for those who aren’t, his settings can seem tediously unvaried. The cast divides itself along these lines. Among the experts,... — BBC Music Magazine, September 2019, 3 out of 5 starsMore…

…seekers of 18th-century operatic rarities can be assured that the performance is more than acceptable, with some lively, if sometimes less than ideally polished, playing from the Foggia period... — Gramophone Magazine, August 2007More…