Deutsche Grammophon
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Brahms: Piano Concerto No. 1 in D minor, Op. 15
Maurizio Pollini (piano)
Staatskapelle Dresden, Christian Thielemann
Pollini plays with tremendous authority and passion...It's a magisterial interpretation...Yet if anything it's Thielemann's contribution that's more remarkable...his command of the orchestra... —
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Beethoven: Triple Concerto in C Major, Op. 56; Brahms: Double Concerto in A Minor, Op. 102
Géza Anda (piano), Wolfgang Schneiderhan (violin), Pierre Fournier (cello), Rolf Peter Schroeder (videoscripteditor), Janos Starker (cello), Berlin Radio Symphony Orchestra, Ferenc Fricsay
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Richter, Max: Embers
Max Richter (piano), Elfa Rún Kristinsdóttir (violin), Chui-Yee Trey Lee (cello)
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Pollini the pianist - too forward in both concertos - retains his formidable control of the instrument as he shows his artistry in the voicing of chords, balance between hands and a singing... —
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Chopin: Piano Concerto No. 1 in E Minor, Op. 11
Martha Argerich (piano), London Symphony Orchestra, Claudio Abbado
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William Walton's Façade, An Entertainment With Poems By Edith Sitwell
Charles McCracken (cello), John Solum (flute), Theodore Weis (trumpet), Jimmy Abato (saxophone), Harold Farberman (percussion), Russell Oberlin (voice), Hermione Gingold (voice), Thomas Dunn
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Brahms: Piano Quartet No. 1
Martha Argerich (piano), Gidon Kremer (violin), Yuri Bashmet (viola) & Mischa Maisky (cello), Gidon Kremer (violin) & Mischa Maisky (cello)
Argerich is a pianistic marvel, effortlessly dispensing tumultuous energy and temperament, but this ensemble lacks interpretative and recorded focus. —
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