Deutsche Grammophon
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Russell Oberlin - Handel Arias
RecommendedRussell Oberlin (countertenor) & Albert Fuller (harpsichord)
Baroque Chamber Orchestra, Thomas Dunn
Awards:
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Penguin Guide, Rosette
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Elîna Garanča: Habanera
RecommendedElîna Garanča (mezzo), Orchestra Sinfonica Nazionale della RAI, Coro Filarmonico del Regio di Torino, Karel Mark Chichon
Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice. —
Awards:
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Presto Recording of the Week, 23rd August 2010
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Gramophone Magazine, October 2010, Editor's Choice
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Daniel Hope plays Vivaldi
RecommendedDaniel Hope (violin), Kristian Bezuidenhout (harpsichord and organ), Elizabeth Kenny (theorbo, lute, Baroque guitar), Siobhan Armstrong (Baroque harp) & Erin Headley (lirone), Lorenza Borrani (solo violin), Anne Sofie von Otter (mezzo-soprano), Lorenza Borrani (solo violin) & William Conway...
In these concertos Daniel Hope reveals himself as an ardent Vivaldian. …with dynamic playing that pays more than lip-service to the example provided by historically informed performances. —
Awards:
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Presto Recording of the Week, 13th October 2008
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Gramophone Magazine, Awards Issue 2008, Editor's Choice
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Debussy: Orchestral Music
RecommendedL'Orchestre de Paris, Choeur de l'Orchestre de Paris, Daniel Barenboim
Awards:
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Penguin Guide, Rosette
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Beethoven: Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'
RecommendedEmil Gilels (piano)
Awards:
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Gramophone Awards, 1984, Winner - Instrumental
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Bernstein conducts Bernstein
RecommendedMontserrat Caballé (soprano), Michael Wager (narrator)
Vienna Boys' Choir, Vienna Jeunesse Choir, Israel Philharmonic Orchestra, Leonard Bernstein
Awards:
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Building a Library, May 2004, First Choice
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Vengerov plays with commanding authority and haunting eloquence…the Shanghai players storm away with a performance of Rachmaninov’s Symphonic Dances that uncovers a vein of modernism in its... —
Awards:
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International Classical Music Awards, 2019, Nominee - Assorted Program
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Our younger generation of cello soloists seems to favour a tone production which balances a refined upper range with a middle and lower register that's strong and well focused, rather than expansively... —
Awards:
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Grammy Awards, 26th Awards (1983), Best Chamber Music Recording
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Awards:
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Grammy Awards, 35th Awards (1992), Best Orchestral Performance
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Grammy Awards, 35th Awards (1992), Classical Album of the Year
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