Deutsche Grammophon
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Mozart & Vieuxtemps: Violin Concertos
(deluxe digital version including Hilary Hahn and Paavo Jarvi in conversation)
Hilary Hahn (violin)
Paavo Jarvi
Hahn takes a Romantic view of Mozart, with bold gestures, a wide dynamic range, and fruity vibrato, especially lower down the instrument...She is more naturally attuned to the Vieuxtemps, where... —
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The magical art of the transcriber clearly lives on in the French capital: just listen to the Prokofiev Toccata and your jaw is guaranteed to drop in amazement! —
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Henze, H: Das Floß der Medusa
Edda Moser (soprano), Dietrich Fischer-Dieskau (baritone), Charles Régnier (narrator)
NDR-Sinfonieorchester, Chor des Norddeutschen Rundfunks, RIAS Kammerchor, Members of the Hamburger Knabenchor St. Nikolai, Hans Werner Henze
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Messiaen: Poèmes pour Mi, books 1 & 2, etc.
Françoise Pollet, Pierre-Laurent Aimard & Joela Jones
The Cleveland Orchestra, Pierre Boulez
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Beethoven: Fidelio, Op. 72
Christa Ludwig (Leonore), Jon Vickers (Florestan), Gundula Janowitz (Marzelline), Walter Berry (Pizarro), Walter Kreppel (Rocco), Waldemar Kmentt (Jaquino), Eberhard Wächter (Don Fernando)
Wiener Staatsopernchor & Orchester der Wiener Staatsoper, Herbert von Karajan
This live recording is fascinating, but falls below Karajan’s famed perfectionism, and both Ludwig and Vickers sound less comfortable than with Klemperer. Gundula Janowitz’s Marzelline is a... —
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Aptly for its subject the sound for Macbeth is a degree more aggressive but comparably full and analytical, with a performance just as committed. —
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111 Classics For Easter
Joseph Cooper (Piano), Simon Standage (Violin), Trevor Pinnock (Director), Wolfgang Meyer (Harpsichord), Daniel Barenboim (Piano), Yehudi Menuhin (Violin), Wilhelm Kempff (Piano), Irina Saizewa (Piano), Hagen Quartett (String Quartet), Olli Mustonen (Piano), Simon Preston (Organ), Kimberly McCord...
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