Deutsche Grammophon
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Beethoven: Fidelio, Op. 72
Gwyneth Jones (Leonore), James King (Florestan), Edith Mathis (Marzelline), Theo Adam (Pizarro), Peter Schreier (Jaquino), Franz Crass (Rocco), Martti Talvela (Don Fernando)
Staatskapelle Dresden, Rundfunkchor Leipzig & Chor der Staatsoper Dresden, Karl Böhm
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Joplin: Treemonisha
Carmen Balthrop, Betty Allen & Curtis Rayam
Original Cast Orchestra & Chorus, Gunther Schuller
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Puccini: Tosca
Galina Vishnevskaya (Tosca), Franco Bonisolli (Cavaradossi), Matteo Manuguerra (Scarpia), Guido Mazzini (Sagristano), Antonio Zerbini (Angelotti), Mario Guggia (Spoletta), Domenico Versaci Medici (Sciarrone), Giacomo Bertasi (Un carceriere)
Orchestre National de France, Les Chœurs de Radio...
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Prokofiev: The Fiery Angel
Nadine Secunde, Siegfried Lorenz, Heinz Zednik & Kurt Moll
Göteborgs Symfoniker, The National Orchestra of Sweden, Gösta Ohlin’s Vocal Ensemble & Pro Musica Chamber Choir, Gothenburg, Neeme Järvi
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Verdi: Aida
Katia Ricciarelli (Aida), Plácido Domingo (Radamès), Elena Obraztsova (Amneris), Leo Nucci (Amonasro), Nicolai Ghiaurov (Ramfis), Ruggero Raimondi (Il Re di Egitto), Lucia Valentini-Terrani (Una Sacerdotessa), Piero De Palma (Un Messaggero)
Teatro alla Scala, Claudio Abbado
A subtle and idiomatic performance benefits from a strong cast and a sensitive recording. But Abbado's sense of theatre also allows the opera's grandest scenes to resonate vividly. —
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