Deutsche Grammophon
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Weekend Classics - An Adagios Weekend
Works by Albinoni, Barber, Dvorák, Fauré, Gluck, Mendelssohn, Mozart, Rodrigo & Tchaikovsky
Maisky, Kubelik, Bernstein & Yepes
Orpheus Chamber Orchestra
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Beethoven: Symphony No.9, Overtures 'Egmont' & 'Leonore III'
Irmgard Seefried (soprano), Maureen Forrester (contralto), Ernst Haefliger (tenor), Dietrich Fischer-Dieskau (baritone), Berliner Philharmoniker, Chor der St. Hedwig's-Kathedrale, Berlin, Ferenc Fricsay
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Berlioz: Grande Messe des Morts, Op. 5 (Requiem)
Peter Schreier
Bayerische Rundfunk Sinfonieorchester, Charles Munch
Munch's second recording of Berlioz's setting of the Requiem Mass resonates to a vision recognising that the devil is in the quiet detail, and that (paradoxically) intimacy triumphs. —
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Mascagni: L'Amico Fritz
Roberto Alagna (Fritz), Angela Gheorghiu (Suzel), Laura Polverelli (Beppe), George Petean (David)
Chor und Orchester der Deutschen Oper Berlin, Alberto Veronesi
The entire score comes over persuasively here, with conductor Alberto Veronesi revealing the music's graceful lyricism with a keen sense of forward movement… Robert Alagna moves between the... —
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Rachmaninov: Piano Concertos Nos. 2 & 3
Lilya Zilberstein (piano)
Berliner Philharmoniker, Claudio Abbado
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Shostakovich: Lady Macbeth of Mtsensk
Maria Ewing (Katerina), Aage Haugland (Boris), Sergei Larin (Sergei), Philip Langridge (Zinovi), Elena Zaremba (Sonyetka), Kurt Moll (Old Convict)
Orchestre et choeurs de l’Opera Bastille, Myung-Whun Chung
Chung's version of Shostakovich's sardonic tragedy still packs tremendous punch —
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