Deutsche Grammophon
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Given that the original version of Les Enfants Terrible is for three pianos and four voices, it translates well to the medium of just two pianos, and Katia and Marielle take on the work of the... —
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Berg: Lieder
Margaret Marshall (soprano), Geoffrey Parsons (piano), Sabine Hass (soprano), Kari Lövaas (soprano)
Wiener Symphoniker, NDR-Sinfonieorchester, Gennadi Rozhdestvensky, Herbert Blomstedt
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Lisiecki’s strongest suit is the three pieces he has selected from Messiaen’s Huit Préludes pour piano, both from the beauty and sensitivity of the performances and for having resisted the temptation... —
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Maurizio Pollini makes it virtually impossible to imagine Chopin's Polonaises played with greater clarity, force and resolution. Not for him the odd approximation or slip of the finger: everything... —
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Wagner: Götterdämmerung
Clay Hilley (Siegfried), Iréne Theorin (Brünnhilde), Albert Dohmen (Hagen), Elisabeth Teige (Gutrune), Michael Kupfer-Radecky (Gunther), Christa Mayer (Waltraute), Olafur Sigurdarson (Alberich)
Bayreuther Festspielorchester, Cornelius Meister, Valentin Schwarz
