Deutsche Grammophon

He’s done it again…it is clear from the outset that this is no lazy selection of favourites…His playing never feels self-indulgent of inappropriate…There is never any doubt that this is Ólafsson’s... — BBC Music Magazine, June 2020, 5 out of 5 starsMore…

With the exception of the ‘Black Pearl’ variation, which lasts almost ten minutes, this is one of the fastest sets I have ever heard, yet it’s also one of the most enjoyable. Ólafsson draws... — BBC Music Magazine, December 2023, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording)More…

With the exception of the ‘Black Pearl’ variation, which lasts almost ten minutes, this is one of the fastest sets I have ever heard, yet it’s also one of the most enjoyable. Ólafsson draws... — BBC Music Magazine, December 2023, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording)More…

I expected this to be good; but just how good it was was still a surprise…Ólafsson creates a ravishing musical sequence. Every track has its own allure, and many reflect a virtuosity which is... — BBC Music Magazine, Christmas 2018, 5 out of 5 starsMore…

Every phrase, every note of this Op. 109 sounds deeply thought-through...This disc continues the progress of Ólafsson as one of the great individual pianists of our time, imaginative and original... — BBC Music Magazine, February 2026, 5 out of 5 starsMore…

We don’t normally associate Daniil Trifonov with Bach, so this recording is a revelation…Many pianists radiate effort in their attempts to make intellectual sense of The Art of Fugue: Trifonov’s... — BBC Music Magazine, Christmas 2021, 5 out of 5 starsMore…

There is much to admire here thanks to Ólafsson’s superb pianism, most notably in Haydn’s Sonata No. 47, Mozart’s little C major Sonata and his Adagio in B minor; his Kleine Gigue goes like... — BBC Music Magazine, November 2021, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording)More…

Perahia is unrivalled in coaxing a subtle dialogue in the dances that resort to the artful pared-back minimalism of the two-part invention. There’s nowhere to hide and Perahia’s effortless variety... — BBC Music Magazine, Christmas 2016, 5 out of 5 starsMore…

He uses the capabilities of the modern Steinway judiciously, maintaining some of the qualities of the spinet and harpsichord of Purcell’s time whilst using but not over-using the vast tonal... — Matthew Ash, Presto Music, 30th August 2024More…

[His] supple sensitivity underpins a formidable yet remarkably unshowy expressive power...Feuillâtre’s acute musical intelligence allies with frequent ornamentation...It ’s an exquisite, joyfully... — BBC Music Magazine, June 2023, 5 out of 5 starsMore…