Deux-Elles
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Narrated snapshots of Rachmaninov’s life based on letters, diaries and contemporary accounts are interspersed with Parham’s soulful playing. Henry Goodman captivates. —
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Brahms: Sonatas for Cello and Piano & Klavierstucke Op. 76
Kate Bennett Wadsworth (cello) & Yi-heng Yang (piano)
The [piano] sound is small scale with a silvery top and without the turbo-charged quality of a modern piano’s bass. This is particularly beneficial in the earlier E minor Sonata. Some may well... —
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Fibonacci Sequence: Clarinet
Julian Farrell (clarinet), Kenneth Sillitoe, Helen Paterson (violins), Louise Williams (viola), Benjamin Hughes (cello), Stephen Williams (double bass), Christopher O’Neal (oboe), Nicholas Bucknall (basset horn), Richard Skinner (bassoon) & Kathron Sturrock (piano)
The Fibonacci Sequence
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Debussy: Song For His Muse
Gillian Keith (soprano), Simon Lepper (piano) & Cecilia Maria de Sultana (harp)
Keith sings with poise, and she certainly possesses the necessary ease at the top, delivering without a hint of a problem those rather cruel high notes which Debussy suddenly throws in…[Lepper]... —
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Eden and Stell relish Möller’s accessible yet complex writing, their singing tones and ability to colour a note, phrase or paragraph with equal nuance and intensity matched by a near-telepathic... —
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The only out-and-out solo piece is Weber's Andante and Hungarian Rondo… Skinner makes a beautiful sound in the expressive Andante, and hurtles effectively through the virtuoso coda… even if... —
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