Deux-Elles
-
-
Debussy: Song For His Muse
Gillian Keith (soprano), Simon Lepper (piano) & Cecilia Maria de Sultana (harp)
Keith sings with poise, and she certainly possesses the necessary ease at the top, delivering without a hint of a problem those rather cruel high notes which Debussy suddenly throws in…[Lepper]... —
-
The Rose Consort of Viols
The Rose Consort of Viols explore the repertoire of 4 important English composers - Thomas Tallis, Christopher Tye, William Byrd & Thomas Tomkins
Clare Wilkinson (mezzo soprano)
Four Gentleman of the Chapel
Clare Wilkinson's pure Mezzo voice emerges from the mists of time in the opening antiphon by Talllis, sustaining and beautifully articulating the text. …the Rose Consort play in a sublimely... —
-
-
Fibonacci Sequence: Clarinet
Julian Farrell (clarinet), Kenneth Sillitoe, Helen Paterson (violins), Louise Williams (viola), Benjamin Hughes (cello), Stephen Williams (double bass), Christopher O’Neal (oboe), Nicholas Bucknall (basset horn), Richard Skinner (bassoon) & Kathron Sturrock (piano)
The Fibonacci Sequence
-
Chaconne Brass continue to stretch the possibilities of the brass quintet on Dancing In The Dark with a broad, inventive programme...The standout piece here is 'A Lullaby'...an absorbing, lively... —
-
-
Christopher O'Neal's playing of both oboe and cor anglais is bright, incisive and elegantly turned… His colleagues match his artistry and expertise, not least with unusually well characterised... —
-
Piper's Dream - Cecilia McDowall
Emma Williams (flute) and Richard Shaw (piano)
Ensemble Lumière (wind quintet)
-
Paul Patterson: Hell's Angels & Mass of the Sea
The Crouch End Festival Chorus and The Royal Philharmonic Orchestra
