Decca
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Janine Jansen plays Prokofiev
Janine Jansen (violin), with Boris Brovtsyn (violin), Itamar Golan (piano)
London Philharmonic Orchestra, Vladimir Jurowski
Jansen is the most subtle of interpreters, and always a sensitive partner. In the Second Violin Concerto, she keeps sentiment at bay...She responds cannily to Prokofiev's pared-back orchestral... —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Rousset and his accomplished musicians play with flair and imagination and are superbly recorded. One of the best discs of its kind for the last three years. —
Awards:
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Gramophone Awards, 1998, Winner - Baroque Non-Vocal
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Mark Padmore is at his vocally expressive best, lyric tone sliding into near speech, with Uchida seemingly minting this music anew. Have those dark chords at the close of ‘Am Meer’ ever sounded... —
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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ARC – Glass / Handel
RecommendedAnthony Roth Costanzo (countertenor)
Les Violons du Roy, Jonathan Cohen
Awards:
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Grammy Awards, 61st Awards (2019), Nominee - Classical Solo Vocal Album
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Awards:
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Building a Library, January 2023, Also Recommended
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A longtime Adams champion, Nagano shapes and sustains the floating, constantly mutating textures of Common Tones in Simple Time…Nagano shows equal skill in maintaining those long, keening lyrical... —
Awards:
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International Classical Music Awards, 2019, Nominee - Contemporary Music
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Ravel: Daphnis et Chloé
Chorus of the Royal Opera House, Covent Garden & London Symphony Orchestra, Pierre Monteux
unrivalled for power and intensity, variety of colour and immaculate attention to detail. As with most Decca discs of the era, the superb recorded sound can be taken as read. —
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There is much to enjoy here: articulation is scrupulously clean and the contrapuntal textures are never muddied, despite the piano’s natural resonance —
Awards:
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Presto Editor's Choice, July 2017
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British Music Collection - George Butterworth
Benjamin Luxon (baritone), David Willison (piano)
Academy of St Martin in the Fields, Neville Marriner
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Bolet's distilled, rarefied art of spinning out a translucent lyrical line, his broad tempos, deep-toned basses and unforced sonorousness were all the products of his musicianly maturity —
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