Decca
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Wagner: Die Walküre
Jon Vickers (tenor), George London (baritone), Birgit Nilsson (soprano), Marie Collier (soprano), Josephine Veasey (mezzo-soprano), Gré Brouwenstijn (soprano), David Ward (bass), Rita Gorr (mezzo-soprano), Noreen Berry (mezzo-soprano), Maureen Guy (mezzo-soprano), Judith Pierce (soprano), Margreta...
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Donizetti: Lucia di Lammermoor
Digitally remastered
Joan Sutherland (Lucia), Luciano Pavarotti (Edgardo), Sherrill Milnes (Enrico), Nicolai Ghiaurov (Raimondo), Ryland Davies (Arturo), Huguette Tourangeau (Alisa), Pier Francesco Poli (Normanno)
Chorus and Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
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Bond 25
Pete Callard (guitar), Simon Little (bassguitar), Tim Weller (drumkit), Royal Philharmonic Orchestra, Andrew Skeet
all 25 themes are presented in new orchestral arrangements. It’s fun to hear them in order, though some may leave you shaken rather than stirred. —
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Symphonic Suite “Princess Mononoke”2021
New Japan Philharmonic World Dream Orchestra (orchestra/member), Joe Hisaishi
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The intelligently constructed programme is the most intriguing the pair have produced...Aside from the occasional woolly texture, support from Kreizberg's Monte Carlo Philharmonic is superlative...This... —
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The golden, singing tone of Sheku Kanneh-Mason’s cello hits us the moment this dauntingly eclectic album begins. —
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Strauss, R: Elektra
Recorded: Sofiensaal, Vienna, September 1966
Birgit Nilsson (Elektra), Regina Resnik (Klytämnestra), Marie Collier (Chrystothemis), Gerhard Stolze (Aegisth), Tom Krause (Orest)
A classic superbly remastered, with Nilsson's searing anti-heroine and Solti building almost unbearable tension. Includes Resnik's raddled Klytaemnestra, Krause's heroic Orest and Marie Collier,... —
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Peter Maxwell Davies - A Portrait
A selection of recordings by Peter Maxwell Davies from the 1960s and 1970s, all appearing on CD for the first time.
performances by The Fires of London, Vanessa Redgrave, The London Sinfonietta, Peter Maxwell Davies, David Atherton & Sir Charles Groves
The 1979 performance [of Seven in Nomine] under David Atherton is excellent. All in all, this is an ideal introduction to Maxwell Davies's music, and represents superb value for money. —
