Decca
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Bach, J.C.: 6 Keyboard Concertos, Op. 13
Ingrid Haebler (fortepiano), Capella Academica Wien, Eduard Melkus
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Verdi: Il Trovatore
Luciano Pavarotti (Manrico), Shirley Verrett (Azucena), Antonella Banaudi (Leonora), Leo Nucci (Il Conte di Luna), Francesco Ellero d'Artegna (Ferrando), Barbara Frittoli (Ines), Piero de Palma (Ruiz), Roberto Scaltriti (Un vecchio zingaro), Enrico Facini (Un messo)
Orchestra e Coro di Maggio...
Verrett's portrayal, always one of her best roles, is given here with more feeling and involvement than anyone else in the cast...Vocally speaking, the two veteran singers are well attuned to... —
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Mozart: Eine Kleine Nachtmusik, Serenata Notturna etc.
Adolf Holler (posthorn), Alfred Staar (violin)
Wiener Mozart Ensemble, Willi Boskovsky
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Mozart: Piano Concertos Nos. 9 & 13
András Schiff (piano)
Camerata Academica des Mozarteums Salzburg, Sándor Végh
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Tchaikovsky & Bruch: Violin Concertos
Nicola Benedetti (violin)
Czech Philharmonic Orchestra, Jakub Hrusa
Her tone is beautiful, and more varied than in some of her earlier recordings: she can be caressing, incisive and yielding within a short space of time. —
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The set’s high point is ‘Das war sehr gut, Mandryka’ from Arabella, in which the gradual expansion of her tone quality becomes a visceral dramatisation of how her character fearlessly opens... —
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