Decca
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John Williams: Suites from Star Wars & Close Encounters of the Third Kind Suite
Los Angeles Philharmonic, The Cantina Band, Zubin Mehta
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Ludovico Einaudi - Devenire
Ludovico Einaudi (piano), Marco Decimo (cello), Royal Philharmonic Orchestra, Robert Ziegler
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Walton: Violin Concerto & Symphony No. 2
Tasmin Little (violin)
Bournemouth Symphony Orchestra, Andrew Litton
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Puccini: Madama Butterfly (highlights)
Mirella Freni, Luciano Pavarotti, Christa Ludwig, Robert Kerns
Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Herbert von Karajan
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Bach, J S: Cantata BWV82 'Ich habe genug', etc.
Matthias Goerne
Camarata Academica Salzburg, Sir Roger Norrington
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Messiaen: Turangalîla Symphony
Jean-Yves Thibaudet (piano) & Takashi Harada (Ondes Martenot)
Royal Concertgebouw Orchestra, Riccardo Chailly
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Wagner: Der fliegende Holländer
Josef Greindl (bass), Georg Paskuda (tenor), Franz Crass (bass), Res Fischer (mezzo-soprano), Anja Silja (soprano), Fritz Uhl (tenor), Bayreuther Festspielorchester, Bayreuther Festspielchor, Wolfgang Sawallisch
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Britten: Death in Venice
Peter Pears (Aschenbach), John Shirley-Quirk (Traveller/Elderly Fop/Old Gondolier/Hotel Manager/Hotel Barber/Leader of the Players/Voice of Dionysus), James Bowman (Voice of Apollo)
English Opera Group Chorus, English Chamber Orchestra, Steuart Bedford
In his insert-notes, Christopher Palmer has pertinent things to say about the sexual climate of Britten's last opera, Death in Venice; but these seem to become of less consequence as you listen... —
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