Decca
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Gilbert and Sullivan Greatest Hits
Valerie Masterson (soprano), Pauline Wales (soprano), Peggy Ann Jones (mezzo-soprano), Colin Wright (tenor), John Reed (baritone), Kenneth Sandford (baritone), Lyndsie Holland (contralto), Michael Rayner (baritone), Joyce Wright (artist), Gillian Knight (contralto), Jean Hindmarsh (soprano), Jeffrey...
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Into the Light
The Sixteen featuring Kaori Muraji
Kaori Muraji (guitar), Libby Crabtree & Jonathan Arnold, arr. Bob Chilcott
The Sixteen, Harry Christophers
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Josquin Despres: Missa di dadi & Missa 'Faisant regretz'
Charles Brett, Michael Chance, Timothy Penrose (countertenors), Joseph Cornwell, Rogers Covey-Crump, Paul Elliot, Andrew King (tenors) & Michael George, Paul Hillier (baritones)
Medieval Ensemble of London, Peter Davies & Timothy Davies (direction)
Time hasn't dimmed the brilliant achievement of this unjustly forgotten group, putting instruments aside for searching, ravishing singing, their nine voices beautifully recorded. —
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Tchaikovsky: Swan Lake, Op. 20 (excerpts)
Orchestra of the Mariinsky (Kirov) Theatre, St. Petersburg, Valery Gergiev
Gergiev's reading of arguably the greatest classical ballet ever written has been tailored very specifically to the Mariinsky Theatre's performing version of the score. The word 'classical'... —
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Albinoni: 12 Concertos, Op. 9, etc.
Felix Ayo (violin), Heinz Holliger (oboe), Maurice Bourgue (oboe)
I Musici
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Bach, C P E: Fantasy in C major, etc.
Nicholas McGegan (flute), Catherine Macintosh (viola), Anthony Pleeth (cello), Christopher Hogwood (fortepiano)
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Delibes: Lakmé (highlights)
Mado Robin Lakmé - Agnes Disney Mallika & Libero de Luca Gerald - Jean Borthayre Nilakantha
Orchestre et choeur de l’Opéra-Comique, Paris, Georges Sébastian
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Verdi: Rigoletto
Leo Nucci (Rigoletto), June Anderson (Gilda), Luciano Pavarotti (Il Duca di Mantova), Nicolai Ghiaurov (Sparafucile), Shirley Verrett (Maddalena), Natale de Carolis (Monterone), Roberto Scaltriti (Marullo), Piero De Palma (Borsa)
Teatro Comunale di Bologna, Riccardo Chailly
the vigour and extreme originality of the score is realized...the best reason for acquiring this set is for Pavarotti's delightfully airy and confident Duke of Mantua. Surpassing even his own... —
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