Decca

It's enough to make you weep – Saint-Saëns wrote his first tune at the age of three, analysed Mozart's Don Giovanni from the full score when he was five, and at 10 claimed he could play all... — Gramophone Classical Music Guide, 2010More…

Lezhneva is at her most accomplished [in the Mozart], providing spirited and focused vocalism, running up and down the scales with effortless abandon and to fine effect. Elsewhere there are... — BBC Music Magazine, May 2013, 3 out of 5 starsMore…

For Freire the Nocturnes are tirelessly experimental, an opalescent world of shifting moods and colours...True, there are moments when a once legendary and impeccable technique stiffens [...],... — Gramophone Magazine, May 2010More…

The two best pieces on this disc are the first and the last, so if the procession of mediocre funeral marches starts to get you down jumpy to track 15 – it’s yet another funeral march, but is... — BBC Music Magazine, May 2020, 4 out of 5 starsMore…

Solti seems freed from emotional inhibitions, with every climax superbly thrust home and the hushed intensity of the glorious slow movement captured magnificently on CD — Penguin Guide, 2011 editionMore…

Bradman has it all – a richness and range of colour in the middle voice that puts many mezzos to shame, extreme high notes of extraordinary fullness, and the sparkling-clean coloratura that... — Katherine Cooper, Presto Music, 28th August 2015More…