Decca
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Eshkeri: Reliquary
Daisy Chute (alto), Tim Lacy (tenor), Bethany Horak Hallett (soprano), Rosey Chan (piano)
Ilan Eshkeri
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For The End Of Time
Seungwon Jeong (soprano), Jerry Chae (clarinet), Trio Owon (piano trio), Hyeonjeong Shin (piano)
Catholic Choir
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Beethoven: Symphony No. 9
Katerina Beranova (soprano), Lilli Paasikivi (alto), Robert Dean Smith (tenor) & Hanno Müller-Brachmann (bass)
Gewandhausorchester Leipzig, GewandhausChor, GewandhausKinderchor & MDF Rundfunkchor, Riccardo Chailly
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Verdi: Macbeth
Leo Nucci (Macbeth), Shirley Verrett (Lady Macbeth), Samuel Ramey (Banco), Veriano Luchetti (Macduff), Antonio Barasorda (Malcolm), Anna Caterina Antonacci (Dama), Sergio Fontana (Medico)
Orchestra & Chorus of the Teatro Comunale di Bologna, Riccardo Chailly
For a time Shirley Verrett was the world's favourite Lady Macbeth. And Chailly reminds us why. Nucci is a sweet-toned villain, but it's Ramey as Banquo who carries off the prizes. —
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Verdi: Otello
Carlos Cossutta (Otello), Margaret Price (Desdemona), Gabriel Bacquier (Iago), Peter Dvorsky (Cassio), Kurt Equiluz (Rodrigo), Kurt Moll (Lodovico), Stafford Dean (Montano), Jane Berbié (Emilia), Hans Helm (Un Araldo)
Wiener Philharmoniker, Wiener Staatsoper, Sir Georg Solti
Under Solti's baton, this Otello is too fast and furious but Price is one of the finest Desdemonas on CD. —
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