Decca
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Elgar & Saint-Saens: Cello Concertos
Julian Lloyd Webber (cello)
Royal Philharmonic Orchestra, English Chamber Orchestra, Academy of St. Martin in the Fields, Yehudi Menuhin, Yan Pascal Tortelier, Nicholas Cleobury, Sir Neville Marriner
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Haydn - Concertos for Harpsichord & Violin
Ottavio Dantone (conductor & harpsichord), Stefano Montanari (violin), with Stefano Montanari (violin)
Accademia Bizantina
[Montanari's] tone is rich, warm and seductive but with impeccable Classical poise...Throughout the programme, both Montanari and Dantone also add some really delightful touches of ornamentation.... —
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Verdi: La Traviata
Pilar Lorengar (Violetta), Giacomo Aragall (Alfredo), Dietrich Fischer-Dieskau (Germont), Stefania Malagù (Flora)
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Bizet: Carmen
Marina Domashenko (Carmen), Andrea Bocelli (Don José), Bryn Terfel (Escamillo), Eva Mei (Micaela)
Orchestre Philharmonique de Radio France, Myung-Whun Chung
We have mezzo Marina Domashenko as a forthright gypsy...wrapping her powerful tones persuasively around 'Habanera' and 'Seguidilla'...We have Bryn Terfel as a forceful toreador...equipped with... —
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Strauss, R: Arabella
Lisa della Casa (Arabella), Hilde Gueden (Zdenka), George London (Mandryka), Anton Dermota (Matteo), Otto Edelmann (Waldner), Ira Malaniuk (Adelaide), Mimi Coertse (Fiakermilli), Waldemar Kmentt (Elemer), Eberhard Wächter (Dominik)
Wiener Philharmoniker, Sir Georg Solti
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Chailly conducts both the familiar Third Symphony, the Scottish, and the Hebrides Overture in unfamiliar guises...The differences are telling, though it's the superb performances that Chailly... —
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Gluck: Orphée et Eurydice
Juan Diego Flórez (Orphée), Ainhoa Garmendia (Eurydice), Alessandra Marianelli (Amour)
Coro y Orquesta del Teatro Real, Madrid, Jesús López-Cobos
Flórez's rapid vibrato and sweetness give the impression of gliding brightly above the music. His is an elegant, aloof Orpheus...Alessandra Marianelli's Amour is sparkling —
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