Danacord
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If you want to hear ‘Ondine’ from Gaspard de la nuit sound like Rachmaninov rather than Ravel, consider Oleg Marshev’s outsize dynamics, broad brush-strokes and full-bodied projection...All... —
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Tanja Zapolski: Timeless
Tanja Zapolski, Toke Møldrup (cello), Aarhus Symphony Orchestra, Magnus Fryklund
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Juon, Bruch and Voigt: Trios for Flute, Cello and Piano
Merete Westergaard, Søren Birkelund, Ulrikke Høst-Madsen
The soloists provide a good account of these three works. The balance between intimacy and enthusiasm is well-maintained. The recording is clear and solid. —
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Leif Kayser: Horn Concerto - Piano Music
Albert Linder (horn), Wincent Lindgren (oboe), Ylva Holmstrand (bassoon), Leif Kayser (piano), Gothenburg Symphony Orchestra, Doron Salomon
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From an historical point of view this is a valuable document and nostalgically-minded readers should grab the opportunity to wallow in memories —
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Erling Blöndal Bengtsson: The Danish Radio Recordings, Vol. 1
Erling Blöndal Bengtsson & Claus Myrup, Erling Blöndal Bengtsson, Claus Myrup
Stanislaw Skrowaczewski, Michael Schønwandt, Jan Latham-Koenig, Diego Masson, Miltiadis Caridis, Alexander Lazarev
The Concerto opens about as quietly as is possible before rising and falling to climaxes of varying intensity. —
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Emil Reese: The Art of Emil Reesen, Live and Sudio Recordings from the 1950s
Aksel Schiøtz (tenor), Danish Radio Symphony Orchestra, Danish Radio Concert Orchestra, Emil Reesen, Arne Hammelboe, Thomas Jensen, Erik Tuxen, Hans Peder Åse
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A bold choice of repertoire for debut recording from a young Scandinavian pianist. —
