Unitel Editions
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Handel/ Mozart: Der Messias
Elena Tsallagova (soprano), Wiebke Lehmkuhl (mezzo-soprano), Richard Croft (tenor), José Coca Loza (bass), Alexis Fousekis, Philharmonia Chor Wien, Les Musiciens Du Louvre, Mark Minkowski, Robert Wilson
On the plus side, Wilson shows a definite response to the music.Yet there’s always a tendency for whatever work he stages to become an accompaniment to a fussy and (in terms of significance)... —
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Mozart: Don Giovanni (DVD)
The Nikolaus Harnoncourt Cycle
Andrè Schuen (Don Giovanni), Ruben Drole, Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Maite Beaumont (Donna Elvira), Mari Eriksmoen (Zerlina)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. —
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Tchaikovsky: Piano Concerto No. 1 & Schubert: Unfinished Symphony
Martha Argerich (piano), West-Eastern Divan Orchestra, Daniel Barenboim
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Mozart: Don Giovanni (Blu-ray)
Andrè Schuen (Don Giovanni), Ruben Drole, Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Maite Beaumont (Donna Elvira), Mari Eriksmoen (Zerlina)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. —
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Handel/Mozart: Der Messias
Elena Tsallagova (soprano), Wiebke Lehmkuhl (mezzo-soprano), Richard Croft (tenor), José Coca Loza (bass), Alexis Fousekis, Philharmonia Chor Wien, Les Musiciens Du Louvre, Mark Minkowski, Robert Wilson
On the plus side, Wilson shows a definite response to the music.Yet there’s always a tendency for whatever work he stages to become an accompaniment to a fussy and (in terms of significance)... —
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Mozart: Così fan tutte
Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guglielmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso)
Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. —
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Mozart: Così fan tutte
Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guglielmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso), Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt
this is a Mozart with a difference: rather than interpreting, singers and orchestra confront text and music with a liveliness and intensity that should also compel viewers to see things differently. —
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The most impactful performances here are of ponderous slow movements... Especially the Appassionata’s second movement...has a conceptual thoroughness and candour that is risk-taking, teetering... —
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The most impactful performances here are of ponderous slow movements... Especially the Appassionata’s second movement...has a conceptual thoroughness and candour that is risk-taking, teetering... —
