CPO
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Camillo Schumann: Works for Clarinet & Piano
Bettina Beigelbeck (clarinet), Jeannette La-Deur (piano)
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Beautifully played. —
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The ensemble playing is almost regimentally precise, and Gupta can shape phrases with subtlety because the players are so responsive and flexible. He has also chosen moderate tempos that reflect... —
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Venzago's vision of a leaner, trimmer Bruckner - with big-boned solemnity discreetly airbrushed away - aims to repoint the composer by balancing his Wagner fixation agtainst his symphonic roots... —
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Graun, C H: Easter Oratorio
Nina Koufochristou (soprano), Andreas Wolf (bass), Jan Kobow (tenor), Dagmar Saskova (alto)
Kolner Akademie, Cologne Academy Choir, Michael Alexander Willens
Arduous vocal writing, both solo and choral, suggests that Graun had impressive singers at his disposal. The challenges are variably met here: tenor Jan Kobow is at his limits in places, though... —
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this celebration of Fritz von Bose’s work show his voice to have been that of a gifted composer for his instrument...Alexandra Oehler’s performances of these works are very fine, and the MDR... —
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Samuel Scheidt: Liebliche Krafft-Blümlein
Andrea Cordula Baur (soloist), Bettina Messerschmidt (soloist), Marie Luise Werneburg (soprano), Daniel Johannsen (soloist), Marie Louise Werneburg (soloist), Michael Wersin (soloist)
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As Mozart was born, Wagenseil was doing extremely well in Vienna, deservedly, judging from these short, inventive, occasionally dramatic symphonies. Decent playing (on modern rather than period... —
