CPO
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The performance by the Kirchheimer BachConsort is quite fine. Conductor Florian Heyerick keeps his tempos at a pace that is fluid but neither too rapid nor too lethargic. This allows for the... —
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Georg Philipp Telemann: French Church Year 1714/1715 - Complete Cantatas, Vol. 4
Gutenberg Soloists, Neumeyer Consort, Felix Koch
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Telemann: Complete Violin Concertos, Vol. 8
Anna Curzon (violin), Elizabeth Wallfisch (director), Asako Takeuchi (violin), Susan Carpenter-Jacobs (violin), Raquel Massadas, Naomi Burrill (violin), The Wallfisch Band
The concertos for two violins possess attractive features, even if they do not qualify for positions on the highest Parnassian slopes...The Ouverture-Suite in G minor offers the listener a wealth... —
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Claudio Monteverdi: Messa per Maria Salute
Magdalena Podkościelna (soprano), Marie Luise Werneburg (soprano), Johannes Gaubitz (tenor), Tobias Hunger (tenor), Dominik Wörner (bass), La Capella Ducale, Musica Fiata, Roland Wilson
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Christian Westerhoff: Symphony, Clarinet Concerto & Double Concerto
Sebastian Manz (clarinet), Sebastian Manz (clarinet) & Albrecht Holder (bassoon)
Symphonieorchester Osnabrück, Hermann Bäumer
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Georg Friedrich Händel: Italian Cantatas & Arias
Amanda Forsythe (soprano), Opera Prima Ensemble, Opera Prima, Cristiano Contadin
Amanda Forsythe copes admirably with this emotional roller coaster [Armida], and she rises to the even greater challenge of Agrippina condotta a morire...The vocal delights are complemented... —
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Simon Laks, Mieczyslaw Weinberg & Ewelina Nowicka: Works for Violin & Chamber Orchestra
Ewelina Nowicka, Amadeus Chamber Orchestra of Polish Radio, Anna Duczmal-Mróz, Agnieszka Duczmal
