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Dowland & His Contemporaries: Come Again
Ulrich Wedemeier (lute), Jan Kobow (tenor)
Hamburg Ratsmusik Ensemble, Simone Eckert
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it's hard to imagine more committed performances than these both from the orchestra (wind and horns impressing in their many solos) and Prégardien, who colours and phrases Rihm's sustained,... —
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Weinberg: Violin Concertino, Symphony No. 10 & Rhapsody on Moldavian Themes
Ewelina Nowicka (violin)
Amadeus Chamber Orchestra of Polish Radio, Anna Duczmal-Mróz
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Enescu: Symphony No. 4, Chamber Symphony & Nuages d'automne sur les forêts
Christoph Renz (flute), Roberto Baltar (oboe), Mirjam Budday (cor anglais), Ulf-Guido Schäfer (clarinet), Malte Refardt (bassoon), Daniel Adam (horn), Fabian Neuhaus (trumpet), Kathrin Rabus (violin), Anna Lewis (viola), Nikolai Schneider (cello), Jürgen Normann (double bass), Markus Becker (piano)
NDR...
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Österreich: Psalms & Cantatas
Ulrike Hofbauer (soprano), Harry van der Kamp (bass), Hans Jörg Mammel (tenor)
Weser-Renaissance Bremen, Manfred Cordes
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Ben-Haim, Bloch & Korngold: Cello Concertos
Raphael Wallfisch (cello)
BBC National Orchestra of Wales, Lukasz Borowicz
Whether these works qualify as concertos or not, and/or whether they were originally conceived for cello or some other instrument, they are all highly engaging music of expressive largesse and... —
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At several points I was reminded of Britten—no bad thing, of course. Högström has a beautiful baritone voice, and he conveys the meaning of the texts most feelingly, without unnecessary dramatics.... —
