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Beermann smooths Khachaturian’s rough edges. The shuddering bell motive at the outset is dark and brooding, but the second movement – a restless danse macabre – is too sedate. The third movement’s... —
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Weingartner: Die Dorfschule, Op. 64
Simon Pauly, Clemens Bieber, Fionnuala McCarthy, Jana Kurucova, Kathryn Lewek, Stephen Bronk Elena Zhidkova, Hulkar Sabirova, Matthew Pena
Das Orchester der Deutschen, Oper Berlin, Jacques Lacombe
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Fibich: The Bride of Messina, Op. 18
Lucia Cervoni (mezzo-soprano), Johannes Stermann (bass), Martin-Jan Nijhof (baritone), Manfred Wulfert (tenor), Richard Samek (tenor), Thomas Florio (baritone), Hale Soner (soprano), Noa Danon (soprano)
Magdeburgische Philharmonie, Opernchor des Theaters Magdeburg, Kimbo Ishii
Kimbo Ishii brings a fine sweep to Fibich’s score —
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Castello, D: Sonata secunda from 'Sonate concertate in stil moderno, libro secondo'
Musica Fiata, Roland Wilson
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Reinecke: Die wilden Schwaene, Op. 164
Kirsten Labonte, Gerhild Romberger, Markus Koehler, Shuang Shi, Rebecca Blanz, Christian Kleinert
Schwanen- Ensemble, Peter Kreutz
Decent performance and recording of a rarity. —
