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Nikitassova’s own sound is lovely with the curve, ebb and flow of her phrasing, well-placed ornamentations and a wide range of colour and articulation. —
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Special offer. Weinberger, J: Wallenstein (musical tragedy in 6 scenes)
Roman Trekel (Wallenstein), Martina Welschenbach (Thekla), Ralf Lukas (Octavio Piccolomini), Daniel Kirch (Max Piccolomini), Dagmar Schellenberger (Countess Terzky) & Roman Sadnik (Count Terzky)
Wiener Singakademie & ORF Radio-Symphonieorchester Wien
It may be all over the shop stylistically, sounding like everything from Smetana to Wozzeck by way of Viennese operetta and Mahler. But it is never dull. The instrumentation is inventive, the... —
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These suave new performances are beautifully inflected and sensitively blended, if a trifle bland…If the notion of owning the full trilogy appeals, then these warmly recorded performance wont’... —
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Suk - The Ripening & Tale of a Winter's Evening
Orchester der Komischen Oper Berlin, Kirill Petrenko
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Vladigerov embraced many styles within a late romantic-nationalist idiom… Finest of all, though, are the Seven Bulgarian Symphonic Dances (1931), collectively a rich panoply of his homeland's... —
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