CPO
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Agricola & Homilius: Easter Cantatas
Hannah Morrison (soprano), Rahel Maas (soprano), Bethany Seymour (soprano), Elisabeth Popien (mezzo-soprano), Georg Poplutz (tenor), Andre Morsch (baritone), Die Kölner Akademie, Michael Alexander Willens
There is a lot to enjoy in these wonderfully upbeat works by two pupils of JS Bach, whose influence is not hard to discern. They benefit here from energetic, enthusiastic performances. —
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Wetz: Requiem Op. 50 in B minor
Marietta Zumbült (soprano), Mario Hoff (baritone)
Dombergchor Erfurt
Philharmonischer Chor Weimar, Thüringisches Kammerorchester Weimar, George Alexander Albrecht
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Emmerich Kálmán: Die Faschingsfee
Camille Schnorr, Daniel Prohaska, Nadine Zeintl, Simon Schnoor, Maximilian Mayer
Orchester des Staatstheaters am Gärtnerplatz, Michael Brandstätter
If the plot is reminiscent of Lehár’s The Count of Luxembourg, the tunes are prime Kálmán, by turns lush and lively with (in Act 2, particularly) more than a splash of paprika…Taken from live... —
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Johann Strauss: Eine Nacht in Venedig
Lothar Odinius, Götz Zemann, Elisabeth Pratscher, Elena Puszta
Alexander Geller, Ivan Orescanin, Sieglinde Feldhofer, Stefanie
Hierlmeier, Dominika Blazek, Sangyeon Chae
Chor der Oper Graz, Grazer Philharmoniker, Marius Burkert
There’s a pleasing sense of ensemble in this recording, particularly amongst the men – Ivan Orescanin as the pasta cook Pappacoda and the Duke’s barber Caramello…Marius Burkert in the pit keeps... —
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