CPO
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A German plying his trade in mid-20th-century England, Reizenstein’s style has a touch of, say, Walton about it, with glimpses of Sibelius in the Serenade. Sadly, it’s not hugely distinctive. —
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Apocryphal Bach Cantatas BMV 217-222
Koslowsky, Langshaw & Wessel
Alsfelder Vokalensemble & Steintor Barock Bremen (on period instruments), Wolfgang Helbich
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Wolf, E W: Jesu, deine Passion will ich jetzt bedenken
Hanna Herfurtner (soprano), Marian Dijkhuizen (mezzo), Georg Poplutz (tenor), Mauro Borgioni (bass)
Kölner Akademie, Michael Alexander Willens
A very interesting and musically compelling addition to the discography of 18th-century music for Passiontide. —
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Kuhnau: Complete Sacred Works, Vol. 2
Heidi Maria Taubert (soprano), David Erler (countertenor), Tobias Hunger (tenor), Friedemann Klos (bass)
Ensemble vocal Opella Musica & Camerata lipsiensis, Gregor Meyer
Inventive music in intelligent and spirited performances. —
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Kuhnau: Complete Sacred Works, Vol. 1
Heidi Maria Taubert (soprano), Isabel Meyer-Kalis (soprano), Friedemann Klos (bass), Tobias Hunger (tenor), David Erler (male alto)
Camerata Lipsiensis, Opella Musica, Gregor Meyer
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Coming soon. Johanna Müller-Hermann: String Quintet op.7 - Cello Sonata op.17
Ensemble Louise Farrenc (chamber ensemble)
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Coming soon. Cipriani Potter: Complete Symphonies Vol. 4
Julian Trevelyan (piano), Alican Süner, BBC National Orchestra of Wales, Howard Griffiths
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Special offer. William Grant-Still: Songs · Piano Music
Hartmut Höll, Gabriel Rollinson, Yajie Zhang