CPO
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The sound of this performance is nicely clear and the playing precise and brilliant. Mortensen knows how to phrase the movements so that they do not lack energy but rather are each distinctive.... —
Awards:
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Gramophone Magazine, July 2021, Editor's Choice
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Much to relish in these performances; this pair of early symphonies, especially the Second, give the impression of a composer having serious fun with her great talent. —
Awards:
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Opus Klassik, 2021, Winner - Symphonic Music (19th-century)
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The orchestra plays extremely well, the sound is first-rate, and the notes are detailed. All in all, this offers an excellent entry into the world of Emilie Mayer’s symphonies. —
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Reinecke: Flute Concertos & Flute Sonatas
Tatjana Ruhland
Radio-Sinfonieorchester Stuttgart des SWR, Alexander Liebreich
Awards:
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Opus Klassik Awards, 2018, Winner - Concert Recording (19th-century music)
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Gregor Meyer and his Leipzig forces take all this on with bags of enthusiasm if not always the ultimate in finesse. One to file alongside Carl Loewe's Hiob (Oehms, 9/25) for seekers of Romantic... —
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Jan van Gilse: Sulamith - Der Kreis des Lebens
Sumi Hwang, Thomas Oliemans, Denzil Delaere, Elena Tsallagova (soprano), Benjamin Bruns (tenor), Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Stanislav Kochanovsky, James Gaffigan
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Ethel Smyth: Der Wald
Mariya Taniguchi (Röschen), Edith Grossman (Jolanthe), Sangmin Jeon (Heinrich), Erik Rousi (Peter), Samueol Park (Landgraf Rudolf), Sinfonieorchester Wuppertal, Chor der Oper Wuppertal, Patrick Hahn
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Robert Kahn: Complete Piano Quartets
Serenade for String Trio
Zilliacus Trio, Oliver Triendl (piano)
There is plenty of meaty, rewarding writing for all four musicians and the music is played with real artistry. In short, I doubt if they could have been played more convincingly or given a better... —
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