Hänssler

Fey's performances always leave me breathless, seldom less than invigorated, often infuriated, and it'll be fascinating to hear how he measures up when only the less outgoing symphonies are... — Gramophone Magazine, August 2011More…

This live Op. 59 No. 1 has a touch more humanity than the Quartet's studio version, but it is the atmospheric Lutoslawski that makes this worth investigating. — BBC Music Magazine, September 2014, 3 out of 5 starsMore…

[Bruns] plays [the concerti] on a valveless horn as if they're the best music ever written for the instrument and consequently turns in gripping performances, full of wit and wisdom. — Gramophone Magazine, January 2011More…

These recordings – made over nine years and in a variety of acoustics – offer as good a survey [of 19th/20th century Italian choral music] as one might hope for, and exhibit impeccable singing... — Gramophone Magazine, June 2015More…