Capriccio

Like a good chorus, the members of the orchestra seem to be listening to each other and matching each other’s sound, but not at the expense of clarity of line. If you have yet to discover Uncle... — Fanfare, Jan/Feb 2021More…

Schornsheim gives dramatic and colourful shape to the opening E flat Fantasia's cresting arpeggations...A booklet interview with Schornsheim reveals her to be just as intelligent, insighful... — Gramophone Magazine, November 2014More…

Deriving from concert performances in Vienna, all the works enjoy excellent performances and recording...A highly recommendable release. — Gramophone Magazine, February 2022More…

The substantial Clarinet Trio is a mainly gentle affair, not without its charms as championed by Ensemble Tris, for all that tuning can falter. — Gramophone Magazine, May 2022More…

This is the first recording of the whole score, and the overwhelming mood is of lush, twilit angst lightened by occasional flashes of comedy….Ariane Matiakh conducts a broad, no-nonsense account;... — Gramophone Magazine, July 2020More…

Fleet, idiomatic and clearsighted...I’m inclined to think it’s the finest performance of the score now available. — Gramophone Magazine, April 2023More…