Channel Classics
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Solomon coaxes lively performances out of the members of Florilegium, with the depictions of rain, lightning and thunder conjured up by Haydn in the concluding storm movement of ‘Le Soir’ sounding... —
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Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Instrumental
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Special offer. Paganini and Rolla: Chamber Music For Strings and Bassoon
Andrea Bressan, Gabrielle Shek, Dana Zemtsov, Pau Codina, Giovanni Guzzo
It’s an intriguing selection, and here it’s been beautifully brought off…It perhaps sounds – unintentionally – like a back-handed compliment, but I don’t think I’ve ever enjoyed a bassoon chamber... —
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Special offer. Essentia
Works for Viola & Orchestra
Dana Zemtsov (viola)
National Estonian Orchestra, Daniel Raiskin
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Special offer. Rachmaninoff: Piano Concertos Nos. 2 & 4
Anna Fedorova (piano), Sinfonieorchester St. Gallen, Modestas Pitrėnas
the clear thinking and feeling behind these Rachmaninov concerto interpretations are refreshing indeed: this certainly isn’t just yet another ‘Rach 2’. Fedorova’s commanding contrast of spaciousness... —
Awards:
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International Classical Music Awards, 2023, Nominated - Concerto
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The pulse is discreetly shunted towards the background, utterly charming the senses with an often delicate mechanism of light pizzicato strings and mallet percussion...This performance deals... —
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Special offer. Iván Fischer conducts Borodin & Tchaikovsky
RecommendedBudapest Festival Orchestra, Czech Philharmonic Choir Brno, Iván Fischer
Fischer once again doesn’t disappoint; indeed, he’s brought to light elements of this work, in particular textural detaileven during the loud brass-led sections, the strings can still be heard... —
Awards:
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Presto Recording of the Week, 23rd September 2016
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it is even more integrated in thematic structure than the First, and it is that balance between detailed focus and spontaneity that Ivan Fischer and his Budapest Festival Orchestra strike so... —
Awards:
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Presto Recording of the Week, 15th December 2014
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Thanks to her phenomenal ear for colour, marvellous manipulation of texture and instinctive sensitivity to the composer’s distinctive harmonic patterns, not to mention one of the most immediately... —
